El Petróleo al por mayor de China que no Pinta Mínimo
 
 


Delaunay, Robert Dress oil painting reproduction


Delaunay, Robert
Vestido
Dress
Pintura identificación::  36712
 mk113 1913 Engrasan en la lona28.5x21.5cm
mk113 1913 Oil on canvas 28.5x21.5cm

 
 
   
      


Delaunay, Robert Dress oil painting reproduction


Delaunay, Robert
Viste
Dress
Pintura identificación::  36713
 mk113 1914 30x26.5cm
mk113 1914 30x26.5cm

 
 
   
      


Louis Lcart Dress oil painting reproduction


Louis Lcart
Dress
Pintura identificación::  63360
 mk 33 x 50.8 cm 1927

 
 
   
      


Louis Lcart Dress oil painting reproduction


Louis Lcart
Dress
Pintura identificación::  63373
 mk286 47 x 38.1 cm 1926

 
 
   
      
Louis Lcart
French (1880-1950) Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. He was first son of Jean and Elisabeth Icart and was officially named Louis Justin Laurent Icart. The use of his initials L.I. would be sufficient in this household. Therefore, from the moment of his birth he was dubbed 'Helli'. The Icart family lived modestly in a small brick home on rue Traversi??re-de-la-balance, in the culturally rich Southern French city of Toulouse, which was the home of many prominent writers and artists, the most famous being Henri de Toulouse-Lautrec. Icart fought in World War I. He relied on his art to stem his anguish, sketching on every available surface. It was not until his move to Paris in 1907 that Icart would concentrate on painting, drawing and the production of countless beautiful etchings, which have served (more than the other mediums) to indelibly preserve his name in twentieth century art history. When he returned from the front he made prints from those drawings. The prints, most of which were aquatints and drypoints, showed great skill. Because they were much in demand, Icart frequently made two editions (one European, the other American) to satisfy his public. These prints are considered rare today, and when they are in mint condition they fetch high prices at auction. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honor?? Fragonard. In Icart's drawings, one sees the Impressionists Degas and Monet and, in his rare watercolors, the Symbolists Odilon Redon and Gustave Moreau. In fact, Icart lived outside the fashionable artistic movements of the time and was not completely sympathetic to contemporary art. Nonetheless, his Parisian scenes are a documentation of the life he saw around him and they are nearly as popular today as when they were first produced. In 1914 Icart had met a magical, effervescent eighteen-year-old blonde named Fanny Volmers, at the time an employee of the fashion house Paquin. She would eventually become his wife and a source of artistic inspiration for the rest of his life.
Dress
mk286 47 x 38.1 cm 1926

Related Paintings to Louis Lcart :.
| The Harvest Moon | kiss | The Study of Nude | Les pins de Pledeliac | Holy Family, St. Isa and white St. John the Baptist |

        
 
   
 

CONTACTE EEUU
China de Xiamen el Petróleo al por mayor que Pinta la Barra de Soga Marco al por mayor que Moldea el Espejo Pinturas Estiradas Encuadradas